The present volume contains revised versions of most of the papers that were delivered at RICAN 7, which was held in Rethymnon, Crete, on 27-28 May 2013. The focus of the conference was on the portrayal and function of male and female slaves and their masters/mistresses in the ancient novel and related texts; the complex relationship between these social categories raises questions about slavery and freedom, gender and identity, stability of the self and social mobility, social control and social death. The papers offer a wide and rich range of perspectives: enslavement of elite women in Chariton’s Callirhoe and Stoic ideas of moral slavery in Dio Chrysostom (Hilton); reversal of social status and techniques of (self-)characterization in Chariton (De Temmerman); the interaction between implicit and explicit narratives of slavery in Chariton and its effect on the readers of the novel (Owens); the narratological, structural and symbolic centrality of slavery in Xenophon’s Ephesiaka (Trzaskoma); the socio-historical dimensions of slavery and the prominent discourse on despotism in Iamblichus’ Babyloniaka (Dowden); the balance between historical accuracy and fiction in the representation of slavery in Achilles Tatius (Billault); animals, human slaves and elite masters, and the presence of Rome in Longus’ Daphnis and Chloe (Bowie); the distribution of slaves on the geographical, cultural and moral maps drawn in Heliodorus’ Aithiopika (Montiglio); slave women and their relationships to their mistresses as positive and negative paradigms of love in Heliodorus’ Aithiopika (Morgan and Repath); the freedman’s world as a self-perpetuating and closed universe in Petronius’ Satyrica (Bodel); beauty, slavery and the destabilization of societal norms and authority figures in Petronius’ Satyrica (Panayotakis); the interaction between Roman comedy and elegy in the representation of the relationship of Lucius and Photis in Apuleius’ Metamorphoses (May); a comparative analysis of the semantics and function of slavery-related terms in pseudo-Lucian’s Onos and Apuleius’ Metamorphoses (Paschalis); enslaved and free storytelling in the Life of Aesop and the history and evolution of the ancient fable tradition (Lefkowitz).
Reviews
Catarina Madeira in Cadmo – Journal for Ancient History 33 (2024), pp. 287-288
Katarzyna Jażdżewska in Gnomon 94.7 (2022), pp. 655-658
Claire Rachel Jackson in The Classical Review 71.1 6–9, doi:10.1017/S0009840X20001912
Laura Donati in BMCR 2021.02.30
Acknowledgments vii
Costas Panayotakis
Introduction ix
John Hilton
The Role of Gender and Sexuality in the Enslavement and Liberation of Female Slaves in the Ancient Greek Romances 1
Koen De Temmerman
Noble Slaves: The Rhetoric of Social Status Reversal in the Ancient Greek Novel 19
William M. Owens
Callirhoe: A Therapeutic Slave Narrative 37
Stephen M. Trzaskoma
Slavery and Structure in Xenophon of Ephesus 55
Ken Dowden
Slavery and Despotism in Iamblichos’ Babyloniaka 75
Alain Billault
Achilles Tatius, Slaves, and Masters 95
Ewen Bowie
Animals, Slaves and Masters in Longus’ Daphnis and Chloe 107
Silvia Montiglio
They Get By Without a Little Help From Their Slaves: The Exceptional Destiny of Chariclea and Theagenes 127
J.R. Morgan and Ian Repath
Mistresses and Servant-women, and the Slavery and Mastery of Love in Heliodoros 139
John Bodel
Liber esto: Free Speech at the Banquet of Trimalchio 161
Costas Panayotakis
Slavery and Beauty in Petronius 181
Regine May
Apuleius’ Photis: Comic Slave or Elegiac Mistress? 203
Michael Paschalis
Masters and Slaves in pseudo-Lucian’s Onos and Apuleius’ Metamorphoses 221
Jeremy B. Lefkowitz
Reading the Aesopic Corpus: Slavery, Freedom, and Storytelling in the Life of Aesop 233
Contributors 259
Abstracts 263
Indices 271
Index locorum 271
General Index 273
