Scholars for centuries have regarded fakes and forgeries chiefly as an opportunity for exposing and denouncing deceit, rather than appreciating the creative activity necessary for such textual imposture. But should we not be more curious about what is spurious? Many of these long-neglected texts merit serious reappraisal, when considered as artifacts with a value beyond mere authenticity. We do not have to be fooled by a forgery to find it fascinating, when even the intention to deceive can remind us how easy it is to form beliefs about texts. The greater difficulty is that once beliefs have been formed by one text, it is impossible to approach the next without preconceptions potentially disastrous for scholarship.
The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction.
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship when the forger is regarded as "splendide mendax" - splendidly untruthful.
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Reviews
- Raphael Brendel in Latomus 77.1 (2018), 235-237
- Kathryn Chew in The Classical Review 67.2, 552–555
- Jean-Jacques Aubert in Museum Helveticum 74.2 (2017), 239-240
Contents
Acknowledgments ix
I. Introduction 1
Javier Martínez
Cheap Fictions and Gospel Truths 3
II. Classical Works 21
Brian R. Doak
Remembering the Future, Predicting the Past: Vaticinia ex eventu in the Historiographic Traditions of the Hebrew Bible and the Ancient Near East 23
Gaius C. Stern
Imposters in Ancient Persia, Greece, and Rome 55
III. Greek Literature 73
Reyes Bertolín
The Search for Truth in Odyssey 3 and 4 75
Valentina Prosperi
The Trojan War: Between History and Myth 93
Emilia Ruiz Yamuza
Protagoras's Myth: Between Pastiche and Falsification 113
Jakub Filonik
Impiety Avenged: Rewriting Athenian History 125
Mikel Labiano
Dramas or Niobus: Aristophanic Comedy or Spurious Play? 141
Edmund P. Cueva
ὃ γὰρ βούλεται τοῦθ̓ ἕκαστος καὶ οἴεται: Dissembling in the Ancient Greek Novel 157
IV. Latin Literature 175
Andrew Sillett
Quintus Cicero's Commentariolum: A Philosophical Approach to Roman Elections 177
Klaus Lennartz
Not Without My Mother: The Obligate Rhetoric of Daphne's Transformation 193
Michael Meckler
Comparative Approaches to the Historia Augusta 205
V. Late Antique Works 217
Anne-Catherine Baudoin
Truth in the Details: The Report of Pilate to Tiberius as an Authentic Forgery 219
Kristi Eastin
Virgilius Accuratissimus: The "Authentic" Illustrations of William Sandby's 1750 Virgil 239
Luigi Pedroni
The Salii at the Nonae of October: Reading Lyd. Mens. 4.138 W 273
Cristian Tolsa
Evidence and Speculation about Ptolemy's Career in Olympiodorus 287
VI. Early Christian Works 301
Scott Brown
Mar Saba 65: Twelve Enduring Misconceptions 303
Argyri Karanasiou
A Euripidised Clement of Alexandria or a Christianised Euripides? The Interplay of Authority between Quoting Author and Cited Author 331
Markus Mülke
Heretic Falsification in Cyprian's Epistulae? 347
Contributors 355
Indices 361
Index locorum 361
General Index 363